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Syd BarrettRoger Keith "Syd" Barrett (1946–2006) was an English singer, songwriter, guitarist and artist. Best remembered as one of the founding members of the group Pink Floyd, Barrett was active as a rock musician for only about seven years before he went into seclusion. His creative legacy and quintessentially English vocal delivery have since proven remarkably influential. Barrett was born in Cambridge, England, to a well-off middle-class family. He was the youngest of five siblings. His father was a prominent pathologist, and both he and his wife, Winifred, encouraged the young Roger (as he was known then) in his music. His father died when Barrett was 14 years old. He attended the Cambridge County School for Boys, now known as Hills Road Sixth Form College in Cambridge and enrolled in Camberwell art school in South London in 1964 before forming his first band in 1965. Barrett acquired the nickname "Syd" at the age of 15, a reference to an old local Cambridge drummer, Sid Barrett. Syd Barrett changed the spelling in order to differentiate himself from his namesake. In 1965, Barrett joined the band that would become Pink Floyd, then known as "The Tea Set". When they found themselves playing a concert with a band of the same name, Barrett created the name "The Pink Floyd Sound" (later "The Pink Floyd"). He derived the name "Pink Floyd" juxtaposing the first names of Pink Anderson and Floyd Council he had read about in a sleeve note by Paul Oliver for a 1962 Blind Boy Fuller LP (Philips BBL-7512): "Curley Weaver and Fred McMullen, (...) Pink Anderson or Floyd Council -- these were a few amongst the many blues singers that were to be heard in the rolling hills of the Piedmont, or meandering with the streams through the wooded valleys". While the band began by playing cover versions of American R&B songs (much in the same vein as contemporaries The Rolling Stones, The Yardbirds, and The Kinks), by 1966 they had carved out their own style of improvised rock and roll, which drew as much from improvised jazz as it did from British pop-rock, such as that championed by the Beatles. In that year, a new rock concert venue, the UFO, opened in London and quickly became a haven for British psychedelic music. Pink Floyd became their most popular attraction, and, after making appearances at the rival Roundhouse, became the most popular musical group of the so-called "London Underground" psychedelic music scene. By the end of 1966, Pink Floyd had gained a reliable management team in Andrew King and Peter Jenner. The duo soon befriended American expatriate Joe Boyd, who was actively making a name for himself as one of the more important entrepreneurs on the British music scene. Boyd produced a recording session for the group in January 1967 at Sound Techniques in Chelsea, which resulted in a demo of the single "Arnold Layne". King and Jenner took the song to the recording behemoth EMI, who were impressed enough to offer the band a contract, under which they would be allowed to record an album. The band accepted. By the time the album was released, "Arnold Layne" had reached #20 on the British singles charts (despite a ban by the BBC) and a follow-up single, "See Emily Play" had sold even better, peaking at #6. These first two singles, as well as a third ("Apples and Oranges"), were written by Syd Barrett. Barrett wrote most of the Floyd's early material, and was the principal visionary/author of their critically acclaimed 1967 debut album, The Piper at the Gates of Dawn. Of the 11 songs on Piper, Barrett wrote eight and co-wrote another two. He was also an innovative guitarist, exploring the musical and sonic possibilities of dissonance, distortion, feedback, the echo machine, tapes and other effects; his experimentation was partly inspired by free improvisation guitarist Keith Rowe. One of Barrett's trademarks was playing his Fender Esquire guitar by sliding a Zippo lighter up and down the fret-board through an old echo box to create the mysterious, otherworldly sounds that became associated with the group. Barrett's behavior became increasingly unpredictable, partly as a consequence of frequent experimentation with psychedelic drugs such as LSD. Many report seeing him on stage with the group, strumming on one chord through the entire concert, or not playing at all. At a show at The Fillmore West in San Francisco, during a performance of "Interstellar Overdrive", Barrett slowly detuned his guitar. The audience seemed to enjoy such antics, unaware of the rest of the band's consternation. Following a disastrous abridged tour of the United States, David Gilmour (a school friend of Barrett's) was asked to join the band as a second guitarist in order to cover for Barrett as Barrett's erratic behavior prevented him from performing. For a handful of shows David played and sang while Barrett wandered around on stage, occasionally deigning to join in playing. The other band members soon tired of Barrett's antics, and in January 1968, on the way to a show at Southampton University, the band elected not to pick Barrett up. They attempted to retain him in the group as a songwriter, much as The Beach Boys had with Brian Wilson, but this proved untenable. There are many stories about Barrett's bizarre and intermittently psychotic behavior - many of which are undoubtedly apocryphal, although some are known to be true. According to Roger Waters, Barrett came into what was to be their last practice session with a new song he had dubbed "Have You Got It, Yet?" The song seemed simple enough when he first presented it to his bandmates, but it soon became impossibly difficult to learn: as they were practicing it, Barrett kept changing the arrangement. He would then play it again, with the arbitrary changes, and sing "Have you got it yet?" After more than an hour of trying to "get it", they realized they never would and that they were simply bearing the brunt of Barrett's rather obtuse sense of humour. Barrett did not contribute any material to the band after A Saucerful of Secrets was released in 1968. Of the songs he wrote for Pink Floyd after Piper, only one ("Jugband Blues") made it to the band's second album; one became a less-than-successful single ("Apples and Oranges"), and two others were never officially released ("Scream Thy Last Scream" and "Vegetable Man"). Barrett supposedly spent some time outside the recording studio, waiting to be invited in (he also showed up to a few gigs and glared at Gilmour), it's possible that his contributions to the album were included as a concession to him. Barrett played electric guitar and sang the alternate vocal on the leadoff track, "Let There Be More Light"; he played acoustic guitar on "Remember a Day", and he played electric guitar and sang "Corporal Clegg", written by Waters but sounding otherwise like the style of much of the Piper material. "Jugband Blues" is often seen by Pink Floyd fans as Barrett's admission that his days in Pink Floyd were probably numbered ("It's awfully considerate of you to think of me here/And I'm most obliged to you for m-making it clear/that I'm not here", the song opens). In March 1968 it was officially announced that he was no longer a member of Pink Floyd. After leaving Pink Floyd, Barrett distanced himself from the public eye. However, at the behest of EMI and Harvest Records, he did have a brief solo career, releasing two mercurial solo albums, The Madcap Laughs and Barrett. Much controversy has risen around the production work – which left Barrett's more vulnerable moments on tape to give the records a more "authentic" feel – but some feel the treatment does Barrett few favors and instead takes advantage of his fragile condition. Much of the material on both albums dates from Barrett's most productive period of songwriting, late 1966 – mid 1967, and it is believed that he wrote few new songs after he left Pink Floyd. The first album, The Madcap Laughs, was recorded in two distinct sessions, both at Abbey Road Studios: a few tentative sessions took place between May and June 1968 (produced first by Peter Jenner and then by Malcolm Jones), while the bulk of the album was recorded between April and July 1969 (produced by David Gilmour and Roger Waters). This album offers an insight into Barrett's state of mind at the time; tracks such as "Dark Globe", have been seen as first-person narratives of schizophrenia. A few tracks on the album feature overdubs by members of the band Soft Machine. The second album, Barrett, was recorded more sporadically than the first, with sessions taking place between February and July 1970. This effort sounds more polished than the first, but Barrett was arguably in a worse state. The album was produced by David Gilmour and featured Gilmour on bass guitar, Rick Wright on keyboard and Humble Pie drummer Jerry Shirley. Despite the numerous recording dates for his two solo albums, Barrett undertook very little musical activity between 1968 and 1972 outside the studio. On 24 February 1970, he appeared on John Peel's BBC radio program Top Gear playing five songs - only one of which had been previously released. Three would be re-recorded for the Barrett album, while the song Two of a Kind was a one-off performance (the song appears on the 2001 compilation The Best of Syd Barrett: Wouldn't You Miss Me?). Barrett was accompanied on this session by David Gilmour and Jerry Shirley who played bass and percussion, respectively. Gilmour and Shirley also backed Barrett for his one and only live concert during this period. The gig took place on 6 June 1970 at the Olympia Exhibition Hall, London, and was part of a "Music and Fashion Festival". The trio performed four songs, playing for less than half an hour, and because of poor mixing, the vocals were inaudible until part-way through the last number. At the end of the fourth song, Barrett unexpectedly but politely put down his guitar and walked off the stage. Syd Barrett made one last appearance on BBC Radio, recording three songs at their studios on 16 February 1971. All three came from the Barrett album, and were presumably aired to encourage people to buy the record. At this stage, though, Barrett seemed to have little interest in recording music, and even less interest in performing it live. After this session, he would take a hiatus from his music career that lasted more than a year. In 1972, Barrett formed a short-lived band called Stars with ex-Pink Fairies member Twink on drums and Jack Monck on bass. Though the band was initially well received, one of their gigs at the Corn Exchange in Cambridge proved to be disastrous and Barrett decided to leave soon afterwards. In 1974, Peter Jenner convinced Barrett to return to Abbey Road Studios in hope of recording another album. However, little became of the sessions, which lasted three days and consisted of blues rhythm tracks with tentative and disjointed guitar overdubs (the only titled track is the intriguing If You Go, Don't Be Slow). Once again, Barrett withdrew from the music industry. He sold the rights to his solo albums back to the record label, moved into a London hotel and when the money ran out he walked back to Cambridge to live in his mother's basement. Further attempts to bring him back (including one endeavor by The Damned who wanted him to produce their second album) were all fruitless. Until his death, Barrett still received royalties from his work with Pink Floyd from each compilation and some of the live albums and singles that had featured his songs. Syd Barrett had one noted reunion with the members of Pink Floyd, in 1975 during the recording sessions for Wish You Were Here. Barrett attended the Abbey Road session unannounced and watched the band record "Shine On You Crazy Diamond" — coincidentally, a song about him. At that time, Barrett had gained a lot of weight and had shaved off all of his hair, including his eyebrows, and his ex-bandmates did not at first recognize him. Eventually, they realised who he was and Roger Waters was so distressed that he was reduced to tears. A reference to this reunion appears in the film Pink Floyd The Wall where the character 'Pink,' played by Bob Geldof, shaves off his eyebrows (and body hair) after succumbing to the pressures of life and fame. According to a 2005 profile by a recent biographer Tim Willis, Barrett, who had reverted to using his original name of Roger, continued to live in his late mother's semi-detached home in Cambridge, and had returned to his original art-form of painting, creating large abstract canvases. He was also said to have been an avid gardener. His main point of contact with the outside world was his sister, Rosemary, who lived nearby. While reclusive, it was his physical health that prompted most concern, being afflicted with stomach ulcers and type two diabetes. Barrett passed away on July 7, 2006 at his home in Cambridge at the age of 60 due to complications arising from his diabetes. This article is licensed under the GNU Free Documentation License. |
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